Photographer Mathew Sitar is one of many who have learned in the past distant regions of Asia. For Europeans, this land is still quite unknown and contains many features that are on our continent do not know. We know that every country, with its characteristic form the character of local population and if these differences are already found in our different regions, they have only pronounced when compared with people who are so far away that our ancestors in past centuries with virtually did not communicate. Therefore, the differences are much larger and also notable for those not acquainted with the history and culture. And one constant questions which we ask photographers to travel in Japan is how to in a convincing way to underline the specificity contained in this land, but at the same time to maintain their way of artistic perception. Or, can someone who is first familiar with their traditions, they also take an objective approach to which acceded to our curiosity when we met with the recordings, in addition to there will be the local hosts in them to identify those properties for they consider them apart from other peoples?

The exhibited photographs tell us that you use a fully Sitar specific approach to the presentation of the land and its characteristic features. And namely, a system that has its starting point a comparison between different categories that he met during his travels. Comparison of different content is built on several platforms, which together form a whole new impressions, which are he created. One such relationship that you often find in these parts is comparison between the past and our country time. Tradition is something that all we respect, already because it is usually kept in previous periods what is most valuable and has already exceeded its average period.

Therefore, attention was also the author of such content, which can not only watch as curious tourists, but is also looking into them artistic component, which is installed in the photo. When these parts are directly displayed images, which are also characteristic of later times and containing such situations, which in the past is not to find, for example, developments in cities with a new architecture and all attendant glamor. The author exhibits a series that continues many internal conflicts, among other mention those caused by relationship between color shades, contrast ratio on the surface or that ranging from clean surface to those that have saturated the exception structure.

Shooting mode, which the author chose is certainly one of the most original. Because he wanted to avoid the traditional perspective, which takes the tourist in a foreign land, has established relationships with photos where there for direct comparison of diversity in this country, taking in a certain sense avoid their own opinion. In fact, he wanted to avoid as much as possible through the view of itself create narrative essay, where the narrative rests on the scene. However, as each photographer as he is introduced to art works certain degree of subjectivity, mainly because he was looking for a particular situation and the bonding between them is not random, but is quite logical communication.

Sitar work so no ordinary character, as is found in most of these photos and what would be biased in describing certain situations but cover a certain distance from them and leave to different features of the compare with each other and thus make your photos are completely genuine communication. Is such an original character can be attributed to the exhibition as a whole, it contains a number of quality while talking about the emphasis on the relationship of perception of copyrighted photos in an innovative sense.

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